A few months ago I was very generously gifted not one but two Lutterloh pattern books on cd, from 1940 and 1941. That very same week on eBay I bid on a Summer 1949 supplement being sold from France. Amazingly I won it for not too much. So completely and utterly spoiled for choice and unable to decide which design to start with I photocopied a number of my favourites and randomly drew this one to be my first Lutterloh make. That fine cotton hummingbird fabric I posted about back in April was used for it – and going by my self-imposed ”one out-one in” stash rule I can now buy a new fabric
I resisted the impulse to edit my pics to make my waist look as small as the illustration… or to make the illustration look as realistic as me.
So without more ado here is my Lutterloh 1949 make:
Lutterloh was started in Germany, 1935, and is still going strong today. It’s similar-ish contemporaries were a French system called Eclair Coupe Paris and The Haslam system which I think was American. This is a YouTube video of the Man From Lutterloh demonstrating with a simple waistcoat how it all works (14 minutes long if you have the patience). I find the principle totally intriguing and would love to distribute my own patterns in this miniaturised way but I’m quite sure the method is copyrighted up to the hilt so will be sticking with the old multi-page cut n’ tape pdfs for now.
So how did my try at Lutterloh go? Well, drawing the pattern out was dead easy like the advertising says. But…and this is a
big, HUGE ‘but’ : there are no seam allowances included on the patterns, no real indication of grain placement, and no facings or lining pieces. Also there are absolutely no sewing instructions or finishing suggestions, no hints of what to interface, line or even where to put openings to get the garment on and off. So, basically, if you don’t know how to work out all of that or really don’t relish the challenge of learning and experimenting I wouldn’t recommend rushing off to buy one of the (expensive) reproduction vintage booklets on Cd that are available. There are some lovely styles from the French system sold singly on Etsy by Mrs.Depew Vintage which could be an inexpensive way to experiment if you are so inclined. Someone else on eBay in the USA sells whole collections of vintage Eclair-Coupe Paris on Cds at a (in my opinion) very reasonable price. If it does appeal I recommend you consider arming yourself with a good sewing and perhaps a fitting book as well.
How accurate was the pattern once drawn out? Actually not too bad at all. The sleeves needed no alterations other than shortening to suit me and the skirt just a little adjusting to hang well. I did add a good amount more fullness into it than the pattern had though. The bodice needed the most alteration as the shoulder height and pitch were really wrong on me, the armhole needed moving in an inch and the vertical under-bust dart was in a bad place so I finally just took one of my own basic bodice blocks and made a similar pattern with it, knowing then that all elements would fit me. I’m not at all sure if the bodice problems were due to me being a bit careless with how I marked my initial pattern points or what. I’ll have a better idea when I tackle a second style.
I made a muslin mock up first which as well as highlighting fit issues was a huge help in deciding how to finish edges and where to locate the zip. I opted for one in the left side seam instead of a centre back one, and made the left side under-wrap pass through a slot formed by leaving a part of the right dart open…rather than the usual side seam opening, which I thought was kinda clever *pat on back*. The neck edges are finished with a narrow self bias binding. The three extended sleeve darts definitely needed some support so some very stiff Vilene cut in crescents shapes then sewed into the armholes did the trick. The belt ends are just closed in the back with hooks and bars.
I’ve read on the internet that while Lutterloh Co. is still a very active company in producing contemporary styles they aren’t interested in reproducing the vintage books. I also have gleaned that the company is fairly hot on copy write infringements- it seems ok for people to post pictures of the styles but absolutely not of the actual patterns. Google ‘Lutterloh patterns’ for all kinds of further info.
Anyway it’s an interesting pattern system, a fab way to access unusual vintage patterns from 1935 onwards and like I said (while gazing at my badly organised shoeboxes bursting with vintage pattern envelopes) until you draw them out on paper they take up virtually no space!
Ah, and what about the fab chunky platform shoes I’m sporting in the pics you ask?
Ok you didn’t but I’m telling anyway- they’re from Audley, London, bought as a ‘my foot is better’ celebration. After my stupid, stupid foot breaking accident of last September (and I never wore those stupid wide legged trousers again!) I lived in sensible, supportive, lace-up walking shoes for 8 whole months. Nice with trousers but dreadful with dresses. I’m also still doing foot strengthening exercises and lots of foot massage and can see a pair of ‘Joan’ shoes from ReMix in my future to go with my next up Lutterloh make planned in brown wool crepe with brown velvet applique leaves:
Next day edit: The urge to do some digital surgery became too great this morning so here is me as a Lutterloh Lady
Frank Lutterloh, the current head of the company has just started a Lutterloh blog as of Sept. 2013 featuring both contemporary and vintage clothing made with the Lutterloh system. Should be interesting!