Oranges & Lemons, Almost A Miss and Summer Fabrics Waiting.

and round and round and round in my head went that song the entire time I sewed this dress. GaaaH!!!  I’m about as far from being a London cockney as a transplanted-to-Brighton ex-New Yorker could possibly be.  My children learned the lyrics in school and I learned from them as we marched around the South Downs singing this at the top of our lungs. Gave the livestock quite a fright.

The other week a local fabric shop gave me a couple of meters of this lovely citrus fabric in exchange for having pics of my results to show off on their FB page. (as I checked the link worked I saw some fab new dalia patterned cotton just in…. look away now!) But anyway, fabric in exchange for pics is a win-win situation in my book. I even have a glass necklace of oranges bought on a long ago trip to Venice to accessorise with. But now I cannot get that damn song out of my head.

I haven’t sewn from a vintage pattern for a while. This was nice quick dress to do and helps justify my growing pattern collection, sort of. Yeah ok really not at all but I do better with my fabric stash… that is a fairly constant one fabric in to one out. Vintage patterns are roughly ten patterns bought to one used. Not so good. Thankfully the often silly prices of vintage patterns do help me keep a check on myself.  Catherine of  The Makings of an Urban Rustic has recently been making herself some pretty full skirted summer dresses and they reminded me just how much I like this silhouette. And even though, baby, it is still really cold outside some new summer clothes seem the way to sew. I’ve been trotting out the same ol’ dresses for a few years now as the English summers make their half-hearted appearance.

Makower cotton fabric

Makower Oranges & Lemons cotton fabric

Now jumping back to the 1940′s, the second version of the Bloggin Blues dress is underway (pattern corrected, copied out and in the post tomorrow Villblomsten :)  ) This time in a rayon challis print. It’s very different than my original effort isn’t it?!  At first I was seriously not loving it & had to leave it for a bit. The fabric is very limp and the print is a little too reminiscent of a flannelette nightgown I once had. But I soldiered on as I had to at least check the pattern was in good working order. But then styled with a red buckle, a scrap of red velvet for buttons, a red handbag and visions of a dash of red lipstick on the day-  and no miss but a hit! It needs its back belt, red buttons and loops, shoulder pads, a hem and she’s done.  It hasn’t quite got the punch of the first BB dress but is very wearable and I’m sure I will.

Print version

fabrics in waitingHere are three highlights from the big pile of fabrics I’m determined to use soon: the hummingbird fabric, quite new, is destined to become another full skirted sundress. That’s easy. The embroidered raspberry chambray has been brought out 5 years running but I still haven’t used it-  a bit of an eyeful colourwise?. Maybe the slim skirted version of the 60′s style I just sewed or possibly just a shirt. Which ever, it’s crying out to be worn someplace sunny to keep it from looking too garish… so not surprising if it ends up back in the fabric cupboard for yet another year.  And then there is the crazy daisy punched linen I bought a couple of years ago. That’s gonna be a tricky one. Not least because it’s white so a guaranteed Pimms spillage magnet. Also the construction techniques will be difficult regardless of the style it gets used for. But when I’m next up for a challenge it’s the fabric I’ll reach for.

Some of you may well be wondering “where does she wear this stuff?”  Well, what can I say… I’m the best dressed walker on the South Downs and you’ll certainly hear me coming-”…when I grow rich say the bells of Shoreditch. When will that be say the bells of Stepney…”

Capital ‘V’ Vintage, A Bias LBD & A 2yr Blogoversary!

This past wet and cold Sunday morning seemed a good day for mooching around antique markets so the Mister and I headed to Lewes, East Sussex.Lewes shops Brighton has some good ones too but the grass is always greener in Lewes. I got to choose where to start and it was straight to my fave, May’s Antiques, where a small but great selection of mostly pre 50’s clothes, is always to be found. I do buy and wear some 60s/70s clothes but sometimes I just want something older than I am- and that’s what I call Capital ‘V’ Vintage. Within minutes I saw this wonderful 1930′s chestnut brown bias cut full length gown chestnut 30's dress and just knew we were made for each other. The main fabric is slinky rayon satin and the upper bodice is a dense cotton velvet. The winged sleeves have something stiff and slightly crunchy in them to make them stand up… I’m thinking probably a wide horsehair braid. The panels are pieced in lovely curved lines but it was the back detail that was the deal maker. It’s in pretty good shape, only a couple of small mends and a dry-clean needed. I really rarely make such a flash decision- and do sometimes regret it when I do but not this time. I consider the dress a ‘study piece’ however it does fit me well and could certainly be worn if the right occasion arises. ‘Dinner at Eight’ anyone?

Just as I was leaving I spotted these four French magazines. I almost didn’t look at them because I thought they were the same vintage Marie Claire magazines that I’d already bought a few of a while back and boy oh boy I’m so glad I took a second look! The earliest is from 1939 and the latest 1951.

Elegance covers

The cover illustrations are so gorgeous that I would have bought just those if that’s all there was to them but the insides are just packed with page after page of fabulous dress illustrations and a few more colour plates too. I’ll post a few scans from them at a later date, they are very inspirational if you are interested in details from this period.

Lewes Flea MarketMoving along to The Lewes Flea Market we admired a small 1834 painting of a Brighton Shrimp boy, pondered over pretty china, discussed the clock yet again, patted some sad taxidermy and finally arrived in front of this lovely art-deco convertible brooch.

deco convertible brooch

A while ago I read a great post on Oh For The Love Of Vintage all about dress clips and then realised a little clip I already had was actually half of a convertible brooch. Then I received a complete convertible brooch this Christmas and as of Sunday I have three ( two and a half really) convertible brooches. And that’s how a collection begins!

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If you saw my Birdy Beret pattern review post last week I mentioned I was going to a White Mink “speakeasy” night and aimed to make a new dress in a day.

This LBD (Little Black Dress or Little Bias Dress, take your pick) was the result, made in record time!Bias LBD

8:30 am-9 drink coffee.

9-10:30 make the pattern.

10:30-11:30 cut out.

11:30-12 drink coffee.

12-5 sew as fast as possible.

5-6 take a break & say hi to family.

6-7 try on and decide a black organza flower brooch decoration is desperately needed and make one.

7-8:30 bath, hair, make-up and wolf some dinner down.

9pm-2am dance, dance, dance!

Saturday – lie on a sofa and don’t move much.

Now, I know for a fact a lot of other sewers get that awful compulsion to make something new at the last minute rather than wear something already in the closet. Confess that you’ve gone out with a raw edge hem or a waist pinned together – or what is the most unfinished state you’ve ever worn a dress in?? Tell me, I won’t tell, I promise!

*****

And shame on me as I forgot VeraVenus’s blogoversary on January 11th….will she ever forgive me ?!

To belatedly celebrate and show my heart-felt thanks to all you SewVeraVenus readers and followers for your ongoing interest and encouragement I’ll be posting a new free downloadable pattern quite soon: I thought I’d do that new LBD pattern in two sizes and also a give-away draw for one printed and mailed to anywhere copy of this dress pattern. Plum 40's copycat dressStay tuned for the announcement. I hesitate to say how ‘soon’ is quite soon… as I need to digitize and redraw it, but I’ll try for not too long a ‘soon’. Meanwhile I leave you with this swinging clip from White Mink.

Singing the Blahblah Bloggin’ Blues

Had a bad case of the blogging blues these last couple of months and had to just walk away and think for a while. Blogging was supposed to be an enjoyable thing but became a stress and an obsession instead. I have enough of those already. It got so I couldn’t make anything without thinking about whether or not I ought to be photographing my progress, jotting down the steps and writing a tutorial. And how often did I check my stats?? Sheesh, talk about a creativity killer. Can’t say I’ve come to an understanding with myself about what I’m doing here on WP or why or for whom… but hey I didn’t hit ‘delete this site’ so even if not exactly back in the saddle at least I’m walking alongside the horse. And I have been sewin’ up a storm while singin’ those blues and at the end of the day making clothes is my passion and I just have to keep sight of that.

So.

A while ago while idly perusing vintage dress sites looking at pix of dresses hoping for some inspiration I came across this red beauty on FabGabs.com (site now under reconstruction) and it was love at first sight!

photos by FabGabs.com

So I made a version for myself. It’s made from a heavy silk crepe I’ve been hoarding for years just waiting for the perfect moment to use it and has a velvet yoke, sleeves and pockets. The embroidery is cut out from an upholstery sample, first BondaWeb-ed to stabilise it and help stick it in place on the velvet and then blanket stitched with silk buttonhole thread all around the edges. The pattern itself is a cobbled together job- draped bias sleeves from a 1940′s style evening dress I made a private client a couple of years ago, skirt, also bias is a lengthened version from the 30′s pj top I put a pattern up for (DIY page) and the bodice was adapted from a fitted shirt block. The 4 rows of shirring at the top and bottom of the bodice to control the fullness is a technique I really like and don’t use enough. In a panic I discovered I was down to my last fabric buckle covering kit and they are so hard to find these days… Vogue Fabric site has them in USA and Amazon.com. But they won’t ship them to the UK for some reason so had to warn my Mum in New Mexico a packet of a dozen is headed her way which I’ll collect in January. Phew, panic over :)

I’ve used the cut-out embroidery technique before on this georgette and velvet kimono I did for Making Magazine (a UK craft mag I do sewing projects for quite a lot)

That’s a pic of one of the  18″ square upholstery fabric swatches a friend who works in a posh interior design shop gave me and the image below shows how I machine stitched it on. Going around all the edges with blanket stitch is somewhere on my to-do list….. someday. Anyway I think it’s a good cheat for adding embroidery onto clothes for those of us who don’t embroider.

Are you going to the pyjama party?

at Did You make That?
It’s a sew-along with tutorial on sewing some pj bottoms from a modern Simplcity pattern or a link to drafting your own.
What a good idea…. and just the push I need to make myself some lovely new pjs that I won’t be embarrassed to open my front door in as it seems that when ever I have a pj-day my house is suddenly transformed into Grand Central Station.
I’m opting for using my own patterns as I just happen to have a similar little top I drafted for myself a number of years ago and a number of loose trouser patterns that will do for the bottoms. More

Into 2012 we go… and a free mini cape pattern

Halfway through January already…. so hows that New Years Resolution working out for ya?

The papers have been merrily trumpeting the fact that most of us, if we even made one, will have given it up by the end of this month!

Well I made two and so far so good:
1st: Don’t Over Complicate Things aka Keepin’ It Simple
This can be applied to just about everything in life from sewing to relationships.

2nd: Finish What I’ve Started….. This applies particularly to the backlog of projects I started last year- that rouleaux shouldered dress (still love it and really want it to be ready for Spring), still more lace needing hand-whipping onto this black satin kimono and My Big Project: SewVeraVenus Lingerie. Yup, really fell behind on that one…. my apologies to all of you patiently waiting for the1940′s bra pattern I mentioned in the Autumn. Anyway I now have graded sizes from 30A-DD through 36A-DD and will be running a Birthday Give-Away of five patterns at the end of January to celebrate both a year of (very sporadic) blogging and another year of my life. If you are a subscriber you will be the first to know :)

2011 wasn’t all unfinished business though: in November I moved all my working equipment down from a London studio into my home. A major undertaking as I hadn’t realised quite how much stuff I had amassed. Anyway took a month to settle in but all put away now and a nice work-room to be in. I think my husand has just about gotten over losing his study… and now I have the option of working either home or away and it’s a huge improvement when working on my personal projects as the kitchen table really wasn’t great for sewing especially when family was making cups of tea around me.

Also VeraVenus™ is now officially trademarked so I can add the little™ letters after it, woohoo!

But back to sewing matters: the day before New Years Eve I decided I needed a new dress and whipped up this one:

New Years Eve dress

It’s based on the 1930′s bridal dress I made last spring and a project that had been lurking in my mind for some time and I had to get it in before that ‘finish the old before starting the new’ resolution kicked in. Setting a tight time deadline usually gives me the needed shot of adrenaline to stop messing about and get on with things. I had some pale lavender-grey fur scraps leftover from a costume job which I pieced together to make the square shouldered 30′s/40′s style shoulder cape to wear with it… just what the velvet needed.

Blue felt 1930'3-1940's style capelet

Lastly for now, as a Happy New Years gift to SewVeraVenus readers this other cape pattern, as seen in this blue felt version, can be downloaded by clicking on the picture. It could look great made in wools, felt, fake fur, even linen or heavier cottons… leave it plain or embellish like mad.

(NB:It is a pattern only, no instructions are included… but easy to make!)

Happy 2012 sewing!

What I Did On My Summer Holiday…

…wait a minute, I worked all summer. The joys of being freelance! When work’s on offer I feel obliged to take it as there may not be more around the corner.

Well, that’s how I used to think but I’m older and wiser now and less keen on hammering myself into the ground.

Still, the summer months were back to back jobs and just whizzed by without much time for anything else (like keeping my blog updated!)

Here’s some of the work I did from early July through mid August:

3 showgirls for a tv advert I love doing retro style showgirl costumes like these (and couldn’t resist trying out a Photoshop film strip action on the photos)

Next I made …

More

1940′s Copycat Coat

Circa late 30′s or very early 40′s I think…

The original coat doesn’t look all that fab here but it was just one of those things that you try on and go Wow! So over two months last Autumn I made a version for myself.

-First step was a re-drape of one side of the coat in muslin directly on top of the original to give me the basic shape and style lines. There was a lot more shaping under the arm than you can see in this photo and some tricky cutting near the pocket and I wouldn’t get that accurately if I worked on the flat from a modern coat block. Re-draping is fun anyway and I always learn something new when copying old garments with this method.

-Second step I transferred the muslin pattern onto paper and made corrections from measurements I’d taken from the coat then sewed up a toile from the corrected pattern. After fitting it on myself I decided to add an extra pleat on each side of the centre back pleat and to have them start right at the waist instead of a bit below the belt.

Third step etc- All seemed good enough to get on with my real fabric finally, a sturdy wool cavalry twill. The body went together reasonably easily though the curved dart that goes into a little horizontal seam at the top of the pocket was a real fiddle to do. The sleeves were a twisted disaster however… never did quite figure out what went wrong but had enough fabric (phew!!) to recut them. To get them correct I did finally use one of my own modern basic sleeve patterns altered to the proportions of the original coat sleeves.

I like a snazzy lining in a coat and found this silk twill fabric that still makes me smile on the grimmest of days.

To build up big enough shoulder pads I used one and a half of a mens suit pad in each side.
I didn’t like where the top two buttons hit my chest so left them off as well as leaving off the arrows on the end of the front darts.

The waist buttons holes are self-welted and though the sleeves are done with a proper button vent on the back seam I never actually did the buttonholes on them… and have been roundly told off for laziness by a tailor friend. I will do them …some day. All the under stitching on lapels and fronts was done by hand . I am lucky to have the use of an industrial steam iron as the cavalry twill is tough stuff to press and don’t think I could have managed with my home iron.

Just as a last note on the pleats: the back of each pleat is a seam which though making for a lot more pieces to cut out and sew together really helps the back of the coat keep its shape. The lining is not pleated however, it is just an A-line shape in the back.

I absolutely love this coat and consider it one of my most successful makes to date. I’ve worn it a few times this June even, can you believe it? Not the warmest summer here so far…

Taking the plunge 1940′s style…

Project ‘Swimsuit’ is finally under way.

All last summer I talked about making some retro styled beachwear for myself, daughter and friends.

Did I actually get around to it ? weeelll,  I sketched ideas, collected some 1940′s and 1950′s patterns and original garments for reference… and then suddenly last summer was over.

But amazing early warm sunny weather has hit the south coast of England this last week and my thoughts turned once again to sun and sea.

 I saw this 1940′s pattern at the Vintage Pattern Lending Library  and decided it was the answer to my annual beachwear problems

The cotton fabric is from a French Connection skirt I bought 6 years ago. I always loved the print but finally the waist just became too tight so the skirt landed in my scrap bag only to be recently rediscovered and recycled into this swimsuit.

The top is bagged out with a lightweight black cotton poplin and that is what I used to make the shorts that attach under the skirt as well.As the fabric was limited cutting out was tight. The waistband is pieced from 3 scraps and I narrowed the band on the bottom of the bodice to be the same width as the waistband. My skirt finishes 1&1/2″ shorter than the pattern which was just too long for my 5’4″ height and I saved a bit more on the cutting layout by not including the 2″ hems allowed for on the pattern. The fit was perfect and the pattern for the shorts underneath could make a great pair of flat front wide legged trousers at a later date.

A cotton swimsuit will be quite a different experience from a lycra one especially in terms of drying out time after a dip. I’m ready to put up with some dampness in exchange for style though.

All in all I’m really pleased with the outcome and full sail ahead.



I now pronounce you finally finished.

1930

 

Seems like I’ve been working on this forever … but wedding dresses often do. The first toile fitting was just before Christmas and the fabric didn’t arrive until the end of January so it hasn’t been that long really. Getting fittings scheduled is usually the problem. We will have done a total of 5 to get this just so.

Anyway, ultimate try-on and collection tomorrow. Hooray! It’s funny how brides-to-be often say they don’t want a veil, but somehow get more in the spirit of things towards the Big Day and for this we’ve ended with a veil and a tiny cape cover-up as well.

The satin is a fairly weighty 240gm. All seam and hem edges are bound with bias georgette strips and I mounted the bodice on silk georgette as well but left the skirt unlined. With a pair of Spanx underneath not a vpl in sight . Perfect. It fits the bride like a Jean Harlow glove. She’s having a soft waved & rolled 1930′s style hair-do with white flowers pinned in the back and the 3 metre veil will just fall from there.

This job has been a real pleasure, such a gorgeous style to make.

(Pic of original vintage dress in my Rouleaux Obsession post

A peek inside- tiny blue bow for good luck.

 

Little cape cover-up

 

The wedding day.

Rouleaux obsession

My current rouleaux obsession has started because of this lovely early 40’s dress. I’ve borrowed it from the costume house I often do work for as I’m feeling the need to make  a similar one for myself.

I’ve made the dress pattern, readied lengths of rouleaux from my fabric and figured out how to make the lozenge shapes. The fabric I’m using is a pale stone colour cotton/linen blend. Lots of applique work ahead!

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The satin dress below is an original a client bought from eBay. Lovely but just too tatty in the flesh to wear on her wedding day. I’m recreating it for her in heavy silk satin but re-using the original leaf collar. I suspect that is from yet a different dress even as the satin colour doesn’t match the satin of the dress body.

Really rather glad I don’t have to remake that .

And sew to begin…

 

…  some pics of a romantic lace wedding dress I designed and made last summer that I was particularly happy with.

It was vintage in feel if not strictly adhering to a particular decade.

Top layer was french lace hand pieced together so as to appear seamless. Under layer was a heavy silk crepe lined in a light weight silk satin and all was supported by a built in cotton tulle corselet. The 3 metre silk tulle veil was edged with a tiny zigzag stitch and had 36 lace flowers hand appliqued on near the front and back edges. All in all  200 hour make.

A happy ending for my part, only the beginning of the story on theirs.

 

the inside matters-cotton tulle corselet , lightly boned which supports the whole dress..

Appliqued cut out lace flowers with a tiny glass bead in the centres which caught the light just enough.

 

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