“Inspired by the blending of traditional Native American and Hispanic dress with a romanticised and somewhat mythical “Western Style,” New Mexico invented its own “new look,” which fit perfectly with the primary components – the long, full skirt and nipped-in waist – of the New Look. Its key elements included “broomstick” (twisted), pleated and tiered skirts, fitted blouses, plenty of Native American jewellery, fringed or woven jackets, cowboy boots and hats, bola ties, and blue jeans. Today the look is described as “Southwest Style,” ““New Mexico Style,” “Santa Fe Style,” or “Albuquerque Chic.”
The link is an informative read if you are interested in the Southwestern take on Dior’s New Look. I’ve personally always loved the look of broomstick skirts, cowboy boots and lots of silver and turquoise piled on. It’s not one which blends in easily with wellington boots, grey skies and the general drift of what many most other people here in Southern England wear…. but I’m not one to let little things like that stop me. So needless to say I was thrilled to find this cream cotton broomstick skirt in one of Carlsbad New Mexico’s finest thrift shops for the bargain price of $10. The Emily Anne label meant nothing to me when I first saw it so I hit Google and the museum page is what came up. So that was all very nice to find out about.
Remember my Lamour swimsuit from a few summers back? I finally got back to that pattern and over the last 4 months in between costume work and wedding dresses I’ve developed a whole little range of retro styled swimwear and thought I’d give a preview of some of the pattern styles.
I have an unused reproduction pattern for a 36 inch bust, 40 inch hips (produced by The Vintage Pattern Shop) of this 1940s bra, slip and knickers to give away. The draw is open from now, Thursday evening, until midnight Feb. 14th UK time.
If you are interested just leave one comment below and on Saturday afternoon (UK time) I’ll do a random draw and announce the winner and pop it in the post next week.
I’ve been collecting vintage lingerie patterns and magazines with their original free patterns for a couple of years now and have a nice little collection growing. Also I finally started making a photo record as I have bought duplicates a couple of times now! Continue reading Flash Valentine 1940s Undies Pattern Give-away→
A few months ago I was very generously gifted not one but two Lutterloh pattern books from 1940 and 1941. That very same week on eBay I bid on a Summer 1949 supplement being sold from France. Amazingly I won it for not too much. So completely and utterly spoiled for choice and unable to decide which design to start with I photocopied a number of my favourites and randomly drew this one to be my first Lutterloh make. That fine cotton hummingbird fabric I posted about back in April was used for it – and going by my self-imposed ”one out-one in” stash rule I can now buy a new fabric 😉
I resisted the impulse to edit my pics to make my waist look as small as the illustration… or to make the illustration look as realistic as me.
So without more ado here is my Lutterloh 1949 make:
Lutterloh was started in Germany, 1935, and is still going strong today. It’s similar-ish contemporaries were a French system called Eclair Coupe Paris and The Haslam system which I think was American. This is a YouTube video of the Man From Lutterloh demonstrating with a simple waistcoat how it all works (14 minutes long if you have the patience). Continue reading Uh-Oh Lutterloh→
This past wet and cold Sunday morning seemed a good day for mooching around antique markets so the Mister and I headed to Lewes, East Sussex. Brighton has some good ones too but the grass is always greener in Lewes. I got to choose where to start and it was straight to my fave, May’s Antiques, where a small but great selection of mostly pre 50’s clothes, is always to be found. I do buy and wear some 60s/70s clothes but sometimes I just want something older than I am- and that’s what I call Capital ‘V’ Vintage. Within minutes I saw this wonderful 1930’s chestnut brown bias cut full length gown and just knew we were made for each other. The main fabric is slinky rayon satin and the upper bodice is a dense cotton velvet. The winged sleeves have something stiff and slightly crunchy in them to make them stand up… I’m thinking probably a wide horsehair braid. The panels are pieced in lovely curved lines but it was the back detail that was the deal maker. It’s in pretty good shape, only a couple of small mends and a dry-clean needed. I really rarely make such a flash decision- and do sometimes regret it when I do but not this time. I consider the dress a ‘study piece’ however it does fit me well and could certainly be worn if the right occasion arises. ‘Dinner at Eight’ anyone?
Just as I was leaving I spotted these four French magazines. I almost didn’t look at them because I thought they were the same vintage Marie Claire magazines that I’d already bought a few of a while back and boy oh boy I’m so glad I took a second look! The earliest is from 1939 and the latest 1951.
The cover illustrations are so gorgeous that I would have bought just those if that’s all there was to them but the insides are just packed with page after page of fabulous dress illustrations and a few more colour plates too. I’ll post a few scans from them at a later date, they are very inspirational if you are interested in details from this period.
Moving along to The Lewes Flea Market we admired a small 1834 painting of a Brighton Shrimp boy, pondered over pretty china, discussed the clock yet again, patted some sad taxidermy and finally arrived in front of this lovely art-deco convertible brooch.
A while ago I read a great post on Oh For The Love Of Vintage all about dress clips and then realised a little clip I already had was actually half of a convertible brooch. Then I received a complete convertible brooch this Christmas and as of Sunday I have three ( two and a half really) convertible brooches. And that’s how a collection begins!
If you saw my Birdy Beret pattern review post last week I mentioned I was going to a White Mink “speakeasy” night and aimed to make a new dress in a day.
This LBD (Little Black Dress or Little Bias Dress, take your pick) was the result, made in record time!
8:30 am-9 drink coffee.
9-10:30 make the pattern.
10:30-11:30 cut out.
11:30-12 drink coffee.
12-5 sew as fast as possible.
5-6 take a break & say hi to family.
6-7 try on and decide a black organza flower brooch decoration is desperately needed and make one.
7-8:30 bath, hair, make-up and wolf some dinner down.
9pm-2am dance, dance, dance!
Saturday – lie on a sofa and don’t move much.
Now, I know for a fact a lot of other sewers get that awful compulsion to make something new at the last minute rather than wear something already in the closet. Confess that you’ve gone out with a raw edge hem or a waist pinned together – or what is the most unfinished state you’ve ever worn a dress in?? Tell me, I won’t tell, I promise!
And shame on me as I forgot VeraVenus’s blogoversary on January 11th….will she ever forgive me ?!
To belatedly celebrate and show my heart-felt thanks to all you SewVeraVenus readers and followers for your ongoing interest and encouragement I’ll be posting a new free downloadable pattern quite soon: I thought I’d do that new LBD pattern in two sizes and also a give-away draw for one printed and mailed to anywhere copy of this dress pattern. Stay tuned for the announcement. I hesitate to say how ‘soon’ is quite soon… as I need to digitize and redraw it, but I’ll try for not too long a ‘soon’. Meanwhile I leave you with this swinging clip from White Mink.
A few months back a friend very generously lent me these gorgeous pleated silk knickers to photograph for my reference files. Going by period illustrations and saucy photographs of the time I would date them as from 1925-1930. (clicking on any pictures will open a large version)
Just a quicky post: a link to an article concerning one of my favourite soap-box rants concerning how these days the word ‘vintage’ is used so often as either a fashion branding device or to describe clothing that is really nothing more than grubby second-hand tat.
Is a new word needed to differentiate true vintage from ‘new’ vintage?
Do most people not actually involved with original vintage clothing really care?
The original coat doesn’t look all that fab here but it was just one of those things that you try on and go “Wow!”. So over two months last Autumn I made a version for myself.
-First step was a re-drape of one side of the coat in muslin directly on top of the original to give me the basic shape and style lines. There was a lot more shaping under the arm than you can see in this photo and some tricky cutting near the pocket and I wouldn’t get that accurately if I worked on the flat from a modern coat block. Re-draping is fun anyway and I always learn something new when copying old garments with this method.
-Second step I transferred the muslin pattern onto paper and made corrections from measurements I’d taken from the coat. Then I made a toile from the corrected pattern. After fitting it on myself I decided to add an extra pleat on each side of the centre back pleat and to have them start right at the waist instead of a bit below the belt.
Third step etc- All seemed good enough to get on with my real fabric finally, a sturdy wool cavalry twill. The body went together reasonably easily though the curved dart that goes into a little horizontal seam at the top of the pocket was a real fiddle to do. The sleeves were a twisted disaster however… never did quite figure out what went wrong with them but I had enough fabric left (phew!!) to recut. To get them right I used one of my own modern basic sleeve patterns altered to the proportions of the original coat sleeves.
I like a snazzy lining in a coat and found this silk twill fabric that still makes me smile on the grimmest of days.
To build up big enough shoulder pads I used two mens suit pads in each side.
I didn’t like where the top two buttons hit my chest so left them off as well as leaving off the arrows on the end of the front darts.
The waist buttons holes are self-welted and though the sleeves are done with a proper button vent on the back seam I never actually did the buttonholes on them… and have been roundly told off for laziness by a tailor friend. I will do them …some day. All the under stitching on lapels and fronts was done by hand . I am lucky to have the use of an industrial steam iron as the cavalry twill is tough stuff to press and don’t think I could have managed with my home iron.
Just as a last note on the pleats: each individual pleat is seamed to the next one. It is more pieces to cut out and sew together but really helps the back of the coat keep its shape. The lining is not pleated however, it is just an A-line shape in the back.
I absolutely love this coat and consider it one of my most successful makes to date. I’ve worn it a few times this June even, can you believe it? Not the warmest summer here so far…
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