Ok, so what I didn’t know when I started writing was that my post title is also the title of a Sparks album from May, 1974 ( I guess I was listening to other music at the time) I like the album cover anyway so there it is. Next I learned that the title is a take on the 1951 Rosemary Clooney song ‘Come on-a My House’. Next stop was at the rather wonderful Japanese YouTube version which I share with you:
Isn’t the stuff you find on the internet amazing…
But I’m wandering.
Anyway to get to the point this is a post about my most recent up-cycling/ re-purposing/ extreme ‘make-do-and-mend’ venture involving, you guessed it- Kimono. Continue reading Kimono My House→
A few months ago I was very generously gifted not one but two Lutterloh pattern books from 1940 and 1941. That very same week on eBay I bid on a Summer 1949 supplement being sold from France. Amazingly I won it for not too much. So completely and utterly spoiled for choice and unable to decide which design to start with I photocopied a number of my favourites and randomly drew this one to be my first Lutterloh make. That fine cotton hummingbird fabric I posted about back in April was used for it – and going by my self-imposed ”one out-one in” stash rule I can now buy a new fabric 😉
I resisted the impulse to edit my pics to make my waist look as small as the illustration… or to make the illustration look as realistic as me.
So without more ado here is my Lutterloh 1949 make:
Lutterloh was started in Germany, 1935, and is still going strong today. It’s similar-ish contemporaries were a French system called Eclair Coupe Paris and The Haslam system which I think was American. This is a YouTube video of the Man From Lutterloh demonstrating with a simple waistcoat how it all works (14 minutes long if you have the patience). Continue reading Uh-Oh Lutterloh→
This past wet and cold Sunday morning seemed a good day for mooching around antique markets so the Mister and I headed to Lewes, East Sussex. Brighton has some good ones too but the grass is always greener in Lewes. I got to choose where to start and it was straight to my fave, May’s Antiques, where a small but great selection of mostly pre 50’s clothes, is always to be found. I do buy and wear some 60s/70s clothes but sometimes I just want something older than I am- and that’s what I call Capital ‘V’ Vintage. Within minutes I saw this wonderful 1930’s chestnut brown bias cut full length gown and just knew we were made for each other. The main fabric is slinky rayon satin and the upper bodice is a dense cotton velvet. The winged sleeves have something stiff and slightly crunchy in them to make them stand up… I’m thinking probably a wide horsehair braid. The panels are pieced in lovely curved lines but it was the back detail that was the deal maker. It’s in pretty good shape, only a couple of small mends and a dry-clean needed. I really rarely make such a flash decision- and do sometimes regret it when I do but not this time. I consider the dress a ‘study piece’ however it does fit me well and could certainly be worn if the right occasion arises. ‘Dinner at Eight’ anyone?
Just as I was leaving I spotted these four French magazines. I almost didn’t look at them because I thought they were the same vintage Marie Claire magazines that I’d already bought a few of a while back and boy oh boy I’m so glad I took a second look! The earliest is from 1939 and the latest 1951.
The cover illustrations are so gorgeous that I would have bought just those if that’s all there was to them but the insides are just packed with page after page of fabulous dress illustrations and a few more colour plates too. I’ll post a few scans from them at a later date, they are very inspirational if you are interested in details from this period.
Moving along to The Lewes Flea Market we admired a small 1834 painting of a Brighton Shrimp boy, pondered over pretty china, discussed the clock yet again, patted some sad taxidermy and finally arrived in front of this lovely art-deco convertible brooch.
A while ago I read a great post on Oh For The Love Of Vintage all about dress clips and then realised a little clip I already had was actually half of a convertible brooch. Then I received a complete convertible brooch this Christmas and as of Sunday I have three ( two and a half really) convertible brooches. And that’s how a collection begins!
This LBD (Little Black Dress or Little Bias Dress, take your pick) was the result, made in record time!
8:30 am-9 drink coffee.
9-10:30 make the pattern.
10:30-11:30 cut out.
11:30-12 drink coffee.
12-5 sew as fast as possible.
5-6 take a break & say hi to family.
6-7 try on and decide a black organza flower brooch decoration is desperately needed and make one.
7-8:30 bath, hair, make-up and wolf some dinner down.
9pm-2am dance, dance, dance!
Saturday – lie on a sofa and don’t move much.
Now, I know for a fact a lot of other sewers get that awful compulsion to make something new at the last minute rather than wear something already in the closet. Confess that you’ve gone out with a raw edge hem or a waist pinned together – or what is the most unfinished state you’ve ever worn a dress in?? Tell me, I won’t tell, I promise!
And shame on me as I forgot VeraVenus’s blogoversary on January 11th….will she ever forgive me ?!
To belatedly celebrate and show my heart-felt thanks to all you SewVeraVenus readers and followers for your ongoing interest and encouragement I’ll be posting a new free downloadable pattern quite soon: I thought I’d do that new LBD pattern in two sizes and also a give-away draw for one printed and mailed to anywhere copy of this dress pattern. Stay tuned for the announcement. I hesitate to say how ‘soon’ is quite soon… as I need to digitize and redraw it, but I’ll try for not too long a ‘soon’. Meanwhile I leave you with this swinging clip from White Mink.
You -“What exactly is a post of many Ps?”
Me – “Promised Patterns, Pretty Pants, Phabulous Presents, Palace Party, Pampered Pooch & a Professional Project in a Pear tree of course!”
First up the promised pattern drafting tutorial for the 8 gore 6 godet 1930’s style skirt I posted about in September…and the pdf isn’t a squillion pages long this time . 🙂 While writing and diagramming it I realised it made perfect sense to show how to make a basic Pencil Skirt and an A-line skirt pattern along the way. The big plus is not only can the A-line pattern can be cut on the straight grain as for a simple 1940’s tailored skirt but can be cut on the bias too! So all in all a good start to pattern designing your own skirt collection. In my next tutorial effort I’ll show how to split darts and move them around to add the bow detail for the 40’s skirt and drafting the ‘bucket’ pocket to add to the 50’s pencil skirt.
I do want to point out that my tutorial doesn’t at all intend to replace in-depth pattern drafting books. I’ve tried to keep it simple enough for anyone to follow to get the feel of creating patterns for themselves without getting hung up on too much technical stuff. I loathed taking flat-pattern classes way back when- the instructor was a dragon and nothing I did ever came out right …unless I was making patterns styled for Quasi Modo (he’s my knitting muse now instead) Draping on a stand was my idea of heaven however and that was how I created patterns for years. Slowly though I conquered my fear of set squares, fractions and precision points and started to absorb information from the flat pattern cutters I worked along side. Some books, the Natalie Bray series and the 1942 Harriet Pepin in particular were very useful. Now I work back and forth between draping and flat pattern designing equally at home in both. If I can’t figure out how to do something by one method I turn to the other.
Anyhow enough rambling. I hope you get something useful from the skirt tutorial and please come back & show me what you make. Download the skirt drafting pdf here.
Pretty Pants up next: Using VV patterns Abigail of FarmhouseGarden made a very cute pair of ‘Grannie Pannies’ and Ruth shows off her rather cheeky pair of French KnickersatLessonsInScarlet (sorry blog is now gone). Have a look and my thanks to them both for showing off their scanties 🙂
On to Phabulous Presents: because that time of year is fast approaching. I’ve made myself two promises regarding presents: first- NO internet shopping. Though it is convenient and I do my fair share I also think it’s important to support small local retailers and sitting in front of a computer is not so much fun as going out and about looking at things (and getting tired feet and banged shins and a short temper… ok well just a little internet shopping maybe). Second- get it done in a timely fashion. Oh-hoho no, that won’t be me running around on Christmas Eve this year 15 minutes before the shops shut. Famous last words.
And of course who doesn’t like to make things to give as gifts? These are two projects I did for the most recent issue of Making Magazine .
The editor has kindly said I may post the instructions and patterns on my Patterns&Tutorials page for SewVeraVenus readers.
And almost last but hardly least the Palace Party.
OK, not strictly speaking a party but something I am SO EXCITED about… Caravan Palaceare playing Brighton next week and I have tickets! Their Electro Swing music never fails to make me want to dance and it definitely feels like time to party when ever I hear it.
I won’t be dancing at the gig, my foot still isn’t mended enough for that but I’ll be jigging about a bit ( in a sedate ladylike manner of course) that’s for sure.
So that’s what I call a post of many Ps. I dePart leaving you with a picture of my Pampered Pooch.
Ah, just still one more P after all-
I nearly forgot the Katie outfit I recently designed that was made for her most recent promo.
Couldn’t let you go without a peep at that now could I.
…making swimsuits that is. And this pattern from the late 50’s/early 60’s is a real gem
I can see this in solid colours as well as other prints. It’s a fast and easy thing to sew.
Making it up in lycra is definitely worth a shot too.
As a full length all-in-one for hot weather off the beach? I think that could be fab. It’s such a good shape and fit I may even make a little linen dress from it as well
I really like a pattern that has possibilities of going much further than what is on the envelope.
The fabric used here is a hand printed cotton from India and I lined it with black cotton lawn just to keep the inside neat. I pre-washed both.
Instead of buttons up the back as suggested I inserted an invisible zip. I can get in and out of a garment with a back zip on my own but cannot manage buttons and asking for help can be awkward. Can anyone really do buttons up the back themselves?? I can’t even do bra hooks in the back…
But getting back to Butterick 6536 . It’s sized for 32 Bust/26 and a half Waist/35 Hip. And it fits me at 34/28/38. That ease thing in commercial patterns again. The 1940’s swimsuit I made a couple of weeks back was true to the pattern size. And this one, though pictured as being form fitting, looked positively baggy and not very nice on my daughter who is very close to the Butterick 14.
But that’s a good thing it was too big for her because it’s MINE now all mine! Fits me just like the illustration. The only thing I would change on a second make is to scoop the back lower and make the channels for the side gathering strings as strips sewn on top rather than hand stitching little eyelets. I’m not after authenticity of make, it’s the retro silhouettes I love.
In exchange for losing a swimsuit the daughter has selected a June Havoc Hollywood dress pattern from the 1940’s, an off the shoulder top from the 50′ and a playsuit from the 70’s plus fabrics from my stash cupboard, and I get to make her all that.
For me the ultimate beach-babe is not off Baywatch and isn’t remotely like Bo Derek .
No, I’ve always held Dorothy Lamour as being the ultimate queen of Glamour Beach.
(Marilyn Monroe and Betty Grable do figure in there too as style consultants).
So I got the Dorothy hair style down but the swim suit was missing.
But no longer…
(sound of a fanfare here and a ta-da!)
Move over Dorothy, Vera’s gonna kick some sand in your face.
This is the most recent proto-type: I’m on version 2 of the pants and version 6 of the bra. It still has pins holding the straps on and a couple of construction issues to iron out but basically it’s the swimsuit of my dreams come to life.
The lycra is swimwear quality (apparently not all lycra is made equal? … something I need to find out more about) and I lined the bottoms in power-net so don’t even have to remember to hold my tum in all the time- the suit does it for me. The bra cups are backed with a seamed cotton cup for better shaping than lycra alone would give though I’m going to try them in the power-net too just to see how that works… that would make the whole suit stretchy and more modern in construction.
There’s light nylon bones in the sides of the top so it doesn’t crumple and plastic swimwear clasps to close the back band and neck strap. The bottom cut is a little shorter than the one Dorothy is wearing but is still proper ‘big pants’ and I’m loving the modesty panel. Possibly the most flattering suit I’ve put on in recent years.
And a 1 piece version in the works too.
I’ll have a red one, a black one, more print ones, a stretchy lace one, a gold one… one for every day of the week!
The cotton fabric is from a French Connection skirt I bought 6 years ago. I always loved the print but finally the waist just became too tight so the skirt landed in my scrap bag only to be recently rediscovered and recycled into this swimsuit.
The top is bagged out with a lightweight black cotton poplin and that is what I used to make the shorts that attach under the skirt as well.As the fabric was limited cutting out was tight. The waistband is pieced from 3 scraps and I narrowed the band on the bottom of the bodice to be the same width as the waistband. My skirt finishes 1&1/2″ shorter than the pattern which was just too long for my 5’4″ height and I saved a bit more on the cutting layout by not including the 2″ hems allowed for on the pattern. The fit was perfect and the pattern for the shorts underneath could make a great pair of flat front wide legged trousers at a later date.
A cotton swimsuit will be quite a different experience from a lycra one especially in terms of drying out time after a dip. I’m ready to put up with some dampness in exchange for style though.
All in all I’m really pleased with the outcome and full sail ahead.
Ready for an Easter parade I am in my exceedingly green coat. It’s a colour that cheers me to look at… but I need to be in an exuberant mood to actually wear it.
The pattern was a 9.65€ find at a local vintage fair and with my new zeal for old patterns I was impatient to try it out. So late one evening at the costume studio I quickly chalked the pattern lines on to my pre-washed linen, lengthened it, cut it out and dived into sewing. The water was cold! Caught out again by the generous amount of pattern ease in a vintage pattern plus it being a bit too big anyway I needed to make a fair few alterations as I went along. That was the night I accidentally got locked in the building and so had not much else to do but to keep on sewing until someone with keys could come back and unlock the front door. I got a lot done by the time I was actually let out.
It’s unlined and the seams are all edged with bias cotton binding. Happily linen is forgiving and easy to work with so all my un-picking and messing about with the fit wasn’t too obvious in the end.
It’s a great shape pattern and I will make it as a jacket next for a summer suit with a pair of trousers like these Vogue 5757 I think.
Seems like I’ve been working on this forever … but wedding dresses often do. The first toile fitting was just before Christmas and the fabric didn’t arrive until the end of January so it hasn’t been that long really. Getting fittings scheduled is usually the problem. We will have done a total of 5 to get this just so.
Anyway, ultimate try-on and collection tomorrow. Hooray! It’s funny how brides-to-be often say they don’t want a veil, but somehow get more in the spirit of things towards the Big Day and for this we’ve ended with a veil and a tiny cape cover-up as well.
The satin is a fairly weighty 240gm. All seam and hem edges are bound with bias georgette strips and I mounted the bodice on silk georgette as well but left the skirt unlined. With a pair of Spanx underneath not a vpl in sight . Perfect. It fits the bride like a Jean Harlow glove. She’s having a soft waved & rolled 1930’s style hair-do with white flowers pinned in the back and the 3 metre veil will just fall from there.
This job has been a real pleasure, such a gorgeous style to make.