“Inspired by the blending of traditional Native American and Hispanic dress with a romanticised and somewhat mythical “Western Style,” New Mexico invented its own “new look,” which fit perfectly with the primary components – the long, full skirt and nipped-in waist – of the New Look. Its key elements included “broomstick” (twisted), pleated and tiered skirts, fitted blouses, plenty of Native American jewellery, fringed or woven jackets, cowboy boots and hats, bola ties, and blue jeans. Today the look is described as “Southwest Style,” ““New Mexico Style,” “Santa Fe Style,” or “Albuquerque Chic.”
The link is an informative read if you are interested in the Southwestern take on Dior’s New Look. I’ve personally always loved the look of broomstick skirts, cowboy boots and lots of silver and turquoise piled on. It’s not one which blends in easily with wellington boots, grey skies and the general drift of what many most other people here in Southern England wear…. but I’m not one to let little things like that stop me. So needless to say I was thrilled to find this cream cotton broomstick skirt in one of Carlsbad New Mexico’s finest thrift shops for the bargain price of $10. The Emily Anne label meant nothing to me when I first saw it so I hit Google and the museum page is what came up. So that was all very nice to find out about.
Issue 58/March 2015 of Making magazine was released in the UK yesterday and in it is this simple front buttoning bow tied blouse pattern and tutorial by yours truly 🙂 Now the issue is on the shelves I can share this version with you- available on my Free Patterns Page
The definition of magyar blouse says that ‘…the sleeves are cut in one with the body.’ I’d also call that a kimono style top. I’m not sure of or even if there’s much difference between a magyar and basic kimono cut …if anyone does know a distinction please enlighten me.
In any event the magyar style of dress bodice & blouse seems to have been around for a long time in western fashion history from before WWI through the 30’s, into the 50’s and pops up beyond though in more recent decades maybe that’s when it began to be called a ‘kimono’ cut. Really I’m just making a supposition on that, don’t quote me. Continue reading A little more on the kimono front→
Well hello from southern New Mexico where ostensibly I’m on holiday visiting my mum. But not to sew for two whole weeks??
I m p o s s i b l e.
Weeks before my arrival I’d been lurking on USA ebay and won some lovely vintage patterns and had them sent to my US address. It was nice to be able to buy a few Hollywood patterns particularly which I don’t come across on UK ebay that often. Believe me when I say I wasn’t planning at all to sew on my visit, honest I wasn’t!
and round and round and round in my head went that song the entire time I sewed this dress. GaaaH!!! I’m about as far from being a London cockney as a transplanted-to-Brighton ex-New Yorker could possibly be. My children learned the lyrics in school and I learned from them as we marched around the South Downs singing this at the top of our lungs. Gave the livestock quite a fright.
The other week a local fabric shop gave me a couple of meters of this lovely citrus fabric in exchange for having pics of my results to show off on their FB page. (as I checked the link worked I saw some fab new dalia patterned cotton just in…. look away now!) But anyway, fabric in exchange for pics is a win-win situation in my book. I even have a glass necklace of oranges bought on a long ago trip to Venice to accessorise with. But now I cannot get that damn song out of my head. Continue reading Oranges & Lemons, Almost A Miss and Summer Fabrics Waiting.→
Had a bad case of the blogging blues these last couple of months and had to just walk away and think for a while. Blogging was supposed to be an enjoyable thing but became a stress and an obsession instead. I have enough of those already. It got so I couldn’t make anything without thinking about whether or not I ought to be photographing my progress, jotting down the steps and writing a tutorial. And how often did I check my stats?? Sheesh, talk about a creativity killer. Can’t say I’ve come to an understanding with myself about what I’m doing here on WP or why or for whom… but hey I didn’t hit ‘delete this site’ so even if not exactly back in the saddle at least I’m walking alongside the horse. And I have been sewin’ up a storm while singin’ those blues and at the end of the day making clothes is my passion and I just have to keep sight of that.
A while ago while idly perusing vintage dress sites looking at pix of dresses hoping for some inspiration I came across this red beauty on FabGabs.com (site now under reconstruction) and it was love at first sight!
So I made a version for myself. It’s made from a heavy silk crepe I’ve been hoarding for years just waiting for the perfect moment to use it and has a velvet yoke, sleeves and pockets. The embroidery is cut out from an upholstery sample, first BondaWeb-ed to stabilise it and help stick it in place on the velvet and then blanket stitched with silk buttonhole thread all around the edges. The pattern itself is a cobbled together job- draped bias sleeves from a 1940’s style evening dress I made a private client a couple of years ago, skirt, also bias is a lengthened version from the 30’s pj top I put a pattern up for (DIY page) and the bodice was adapted from a fitted shirt block. The 4 rows of shirring at the top and bottom of the bodice to control the fullness is a technique I really like and don’t use enough. In a panic I discovered I was down to my last fabric buckle covering kit and they are so hard to find these days… Vogue Fabric site has them in USA and Amazon.com. But they won’t ship them to the UK for some reason so had to warn my Mum in New Mexico a packet of a dozen is headed her way which I’ll collect in January. Phew, panic over 🙂
I’ve used the cut-out embroidery technique before on this georgette and velvet kimono I did for Making Magazine (a UK craft mag I do sewing projects for quite a lot)
That’s a pic of one of the 18″ square upholstery fabric swatches a friend who works in a posh interior design shop gave me and the image below shows how I machine stitched it on. Going around all the edges with blanket stitch is somewhere on my to-do list….. someday. Anyway I think it’s a good cheat for adding embroidery onto clothes for those of us who don’t embroider.
Last weekend I bought the 1939 August of issue Marie Claire magazine in a antique market
from 73 years ago this month!
It has these lovely illustrations of men’s holiday fashions in ice-cream colours which really caught my eye.
Just one month later WW2 was declared.
In the same issue is this article of ideas on using lace as appliqué on ‘bibelots” (I’ve always loved that word)
Inspiration hit and I made…. wait for it…… more french knickers of course.
Serendipity in the form of some lovely soft turquoise-y blue silk broadcloth I bought only the week before.
To make lace appliqué bows you tie a length of lace into a bow and fiddle about with it on your ironing board sticking pins in here and there until it has the shape you like and then you press it very flat.
Carefully re-pin it in place on whatever you will be sewing it on. Flat fabric is easier than an already sewn garment because of having to turn it every which way while sewing.
You can either hand baste it in place first (the methodical way) or go straight to sewing it down (the impatient way) though the pins will really get in the way.
I used a small size 2 straight stitch and was very grateful my machine has a presser foot knee lift!
You could cut some sections of the backing fabric away after sewing which would look lovely and airy- in which case either a tiny machine zig-zag or close hand-whipping the lace edges down would be better.
It’s a sew-along with tutorial on sewing some pj bottoms from a modern Simplcity pattern or a link to drafting your own.
What a good idea…. and just the push I need to make myself some lovely new pjs that I won’t be embarrassed to open my front door in as it seems that when ever I have a pj-day my house is suddenly transformed into Grand Central Station.
This morning I faced the fact that I had to just stop making samples, doing fittings, planning, thinking, what-if-ing (aka procrastinating) and just get this give-away (first blogged about here) going.