Tag Archives: vintage inspired

Wearing and shopping vintage, with a bit of camping thrown in… does it get better than that?


Not much better in my book!

That’s what it was like at the Twinwood-Glenn Miller Festival two weekends ago.

Fab outfits, brilliant music, tons of dancing, great people-watching and a fair amount of rain.

Day 1- I wore the raincoat I made from McCall 5760 over Vogue 5757 wool gabardine slacks I very recently made. The ground wasn’t too muddy yet so I could still wear my nice brogues.

My hair was really acting up in the damp windy weather …so I just ignored it.

Continue reading Wearing and shopping vintage, with a bit of camping thrown in… does it get better than that?

What I Did On My Summer Holiday…

…wait a minute, I worked all summer. The joys of being freelance. When work’s on offer I feel obliged to take it as there may not be more around the corner.

Well, that’s how I used to think but I’m older and wiser now and less keen on hammering myself into the ground.

Still, the summer months were back to back jobs and just whizzed by without much time for anything else (like keeping my blog updated!)

Here’s some of the work I did from early July through mid August:

3 showgirls for a tv advert I love doing retro style showgirl costumes like these (and couldn’t resist trying out a Photoshop film strip action on the photos)

Next I made …

5 Gold “Icons” for Top Hat the musical (clockwise: Queen Elizabeth, Aphrodite, Brunhilde, Cleopatra… and missing is Joan of Arc as the gold paint on her armour wasn’t dry when these were taken.) These took me and a fab prop maker I work with 3 weeks … with a few very late nights by the end.

Somehow in among those jobs I finished a private wedding dress I’d started in the spring….a rather gothic-y number in black lace, silk & cotton tulle and Italian gold lamé. Definitely has a 1930’s feel to it as well. In motion the 8 soft tulle godets are very frothy and floaty. At the last minute the bride asked to have the scalloped edging from the lace fabric appliquéd all the way around the hem which does weigh it down a bit but still moves beautifully. There are 16 black glass buttons down the back and tiny seed beads stitched on the neckline of the dress and bolero and at the under bodice seam. Hardly noticeable but little details like that make it that much more special. It was worn both to the civil ceremony two weeks ago and a couple of nights after to the party. I’m looking forward to the pictures of it in action! The girl who wore it has pale blond hair and intended to pin it up with blood-red roses. The lamé was so fab that I bought a few metres for myself to make a glam 30’s style bias dress in. Personal Project 2,536 …

There were a few smaller jobs squeezed in those weeks as well… nothing special though.

After all that I had a small collapse, stayed at home for 3 weeks, caught up with family and life…and of course did some sewing for myself.

I’m saving that for my next post.

Oh, and finally I received some simply gorgeous pictures of the 1930’s style wedding dress I posted about making here .

 

Fashion: Is it vintage or vintage-inspired?

Fashion: Is it vintage or vintage-inspired? – latimes.com.

Just a quicky post: a link to an article concerning one of my favourite soap-box rants concerning how these days the word ‘vintage’ is used so often as either a fashion branding device or to describe clothing that is really nothing more than grubby second-hand tat.

Is a new word needed to differentiate true vintage from ‘new’ vintage?
Do most people not actually involved with original vintage clothing really care?

What do you think?

Pedalling furiously on the upcycle

Shoe Print Top

The idea is about treating scarves as simply another fabric and using them to spark up what could otherwise be a rather plain sewing project. Uses for scarves: cuffs, collars, frills & ruffles, applique´s for spot adornment or to create an all-over-print, bindings, facings, yokes and plackets. I’m sure I missed a use or two there but you get the idea. AND it’s a good excuse to go diving into huge boxes of vintage scarves the likes of which Beyond Retro and To be Worn Again are so fond of. The ones you don’t cut up you can wear. Anyway I think it’s a great way to stretch a remnant of a solid colour fabric that isn’t quite enough to make with on it’s own into something much more fun and unique.

Circular frills made from a scarf
The Green Skirt From Hell

This skirt was one of those projects where if something could go wrong it certainly did. It is a side shoot of this project. I simply wanted to proof the skirt pattern before cutting out the full dress and as I can always use another skirt in my wardrobe  it seemed like a grand plan to whizz it up in a remnant from the stash.

So:

1)pattern incorrect. Check. (hip shaping bad, godets not long enough)

2)fabric problematic. Check. (silk marocaine quite shifty, cut edges fuzz like mad, if there’s a teeny speck of oil from the sewing machine it absorbs it into a spot 10 times bigger)

3)me having a totally bad day. Check.

Not an auspicious beginning. But the professional in me triumphed over my tantrum-ing inner child and I fixed the pattern issues, un-picked and re-sewed seams as many times as necessary to get the hip shape right, the hand picked zip flat and the seam edges from fraying away. The triple top-stitching lines I did on either side of the seams will stay as they are… I’m not proud of them (that’s why no close-up pic) and wish I’d done them on my trusty Bernina Minimatic (which though more than 50 years old sews like a dream) instead of my monster Brother industrial. Even the hem is left down & topstitched multiple times as a finish – the silk was just too spongy to turn up nicely with the 6 godets it has and when all else was done I hand washed it and all the oil marks came out. So yay me and I won’t be polishing the furniture with jade green silk rags after all.

IheartBagPS- I ♥ my new bag from Urban Outfitters: it cheered me up a lot and I can always hold it in front of the bad topstitching if anyone gets too close.